phoenix: ink-and-watercolour drawing -- girl looking calmly over her shoulder (Default)
I'm a pattern-seeker. I react slowly, collecting multiple experiences of situations or a person's behavior before I try to judge or assert my own view of it.

Where this really falls down: when I try to understand myself relative to the world based on very limited data. Trying to generalize "how friendship is for me" based on just my friendship with Dar, or just my friendship with one of the ponies (my IRC people). Not enough data. Flawed, highly skewed results that have me feeling contradictory, over-complicated, when the problem is that I'm trying to over-simplify.
phoenix: (lights)
I see a whole lot of people are listening to/referring to Florence & the Machine's Shake It Out today and recently. That makes me almost as happy as the song. *beam*

Nanowrimo!

Nov. 5th, 2011 08:02 pm
phoenix: ink-and-watercolour drawing -- girl looking calmly over her shoulder (Default)
There are a few things that stymie me about a major task like organising a large batch of photos. First, there's the task itself. It's something complicated and it's going to take a big portion of time to manage. Big portions of time generally have other interesting things vying to use them and somehow just don't get set aside for photo-managing. Then there are the tools for the task - should I stick with Picasa, should I get some other photo manager? Should I tag and bag and photoslop the crap out of them all? This part of the task is quite fun with all its downloading and its blog post reading and its information-gathering, but, again, nothing much is getting done.

So, time is passing, no photos are organised. I don't want to post here because I've promised to post photos, and-- well, if you're still reading, you might guess this is one long apology for not posting photos. It is, kinda! Though since I like to at least pretend I write here for myself, I'm also working out the things I trip over in a task like this. Mostly, trying to do everything at once: wanting to do the task For Once And For All And For Perfect with a big blast of energy.

Maybe the project I *am* working on diligently and daily will teach me a few new habits. I'm doing Nanowrimo for the first time (under the username phoenixdreaming, no surprise to that). I can't believe it, but I'm writing fiction for the first time in years. I've long had this block on writing - why should I write when I could be reading other people's already-written novels, isn't that more interesting? I finally have an answer for that: only my novel has dragon churches! (Essentially, in this world there are stone dragons. They went to sleep for a long time, long enough for humans to get the idea that carving the stone dragons into /churches/ was a good idea. It was okay until they woke up.)

The probability that I will ever show anyone what I'm working on is low, low, low, and certainly won't happen during November. I was talking to a coworker about this, and exclaimed that people wanting to read my shite is the most frightening part of Nano. Eek, no. I'm writing shit. You can see it if or when flowers grow in it. For now it is confined to the compost heap/text editor.

BUT. WORDS. I know I've never written more than a couple of thousand words on a single story. Now I have almost 7000, written in a few days. It feels like I've grown a new part of my brain.
phoenix: (pic#657)
How Games Saved My Life - a tumblr collecting personal stories about videogaming as life-affirming. I know a lot of people who can relate, whether through finding meaning in JRPGs, community in MMOs, or friendship through game fanfic.

I've decided that this year I'm going to attempt Nanowrimo. It's a challenge that I'm finally in the right place to try. I've mentioned before that I've been having trouble feeling creative - having ideas, having anything in my head beyond the mundane - and I've made a few breakthroughs lately. A lot of the motion has been internal, but here's one of the big external pushes, a post from Kristin Cashore:

If "writer's block" refers to the hopeless confusion of not knowing what to write, having an "I don't wanna" feeling, and knowing that if one sits down to write, it's going to be hard and the product isn't going to be very good... well, then OF COURSE I've had that. I've had it for weeks and months at a time. That's not writers block. That's writing. Or more accurately, it's one of the possible states of writing (maybe I should write a post sometime on the multiple states of writing). Welcome to writing! Get used to all those bad feelings and don't let them make your decisions for you. Understand that the only way out of that kind of blockage is through (to paraphrase Robert Frost).


Yeah, I'm not going to lie, I feel that way and assume it's because I'm "not a writer". Technically that's true, since when I feel that way I don't write, but that's because I'm assuming how I feel is true. Realising that a good, professional writer feels like that and works through it by writing is emboldening.

I've also been putting myself in the way of streams of ideas. I recently started following [personal profile] ailelie, whose journal is a collection of snips from works in progress, ideas she's had, and notes on fics she'd like to read or write. I've also been reading the Changeling: The Lost core sourcebook and it's *brilliantly* inspiring - it's full of 'what if's and story seeds that spawn independent 'what if's in my head. I have no intention of taking an idea wholesale from either of these places - it's getting the juices running in my own imagination by permitting them movement, showing them what other people do. I might reread Catherine Valente too; she's one writer whose books I read and then think "you're allowed to write like this? You're allowed to use ideas like this?" And I'm collecting photos that have moods and visuals that spark something in my writing mind. Using photos as prompts works pretty well for me! Same thought with the Tarot cards, which are visually more flexible but limited in number.

Other things: I've been playing the Night Circus, a game from Failbetter Games (makers of Echo Bazaar), which has enchanting textual images. (Want to play? Sign up through me!) It's an 'advert' for a book by the same name - now that's fecking cool, a interactive fiction game specially for your debut novel.
phoenix: road disappearing into the distance (freedom)
I bought a set of tarot cards last week (for creative purposes and self-discovery - though I'm not disregarding the mystic side, just I needed other things to persuade myself to spend money). In a targetless anxious rage earlier, I pulled a card asking "why am I feeling this way?" And got the Eight of Swords. Warning, spider shown in one corner, also not quite worksafe. )

Which certainly represents the feeling quite perfectly, and quite possibly the reason too. It depends on your interpretation. Mine is that my predicament is mostly of my own making and escapable if I can see clearly, though it's not all in my head - those swords are sharp, and the broken and fading friendships troubling me are likely real. It amuses me that the card shows a web - *the* Web is a complicated thing for me, necessary but, because of how I think of my place in it, not as nourishing as I want it to be.

The 8 of Swords keeps popping into my head as I try to write this entry, reminding me of the ways in which what I think are outside limits are limits I made. It's a good thing to set certain limits, obviously, but I have a strict soul - avoiding repressing myself, that's a hard road for me. I don't want to take up too much space and need to be reminded of my place, but it's continuing unsustainable to wait for permission to exist.

Things that are true: I have energy and ideas (ideas! I have ideas! I'm not empty!). I am feeling a little hostile and sad and bored and tempestuous.

I am too well-behaved for tantrums - I threw my hairbrush at the wall earlier, then pulled that tarot card. I laughed at its dramatised accuracy, because when you're in a twisting rage recognition has a way of illuminating how silly you are. Then, still mad and determined to get something out of my swords, I went for a walk with my camera, bare-armed to fight the cold breeze, and photographed bridges and a mud-perched heron.

huh

Aug. 17th, 2011 12:03 am
phoenix: (silver blue)
Dreamwidth's getting really active. It's reached 100k personal accounts (over one million accounts total, but that includes a hell of a lot of openids) and the Latest Posts page is speeding up, with lots of slices of life and less of a fandom focus. Woo! It's not LJ, size-wise, but it's becoming its own thing.

There's also cool brainstorming going on here with regard to media posts. Worth peeking in and adding thoughts, though I recommend getting drawn into any 'no! not here!' discussions. This stage is for throwing ideas into the air - shooting them down can wait till later.

Unrelated to any of this: I want to buy a house. More on this soon.
phoenix: ink-and-watercolour drawing -- girl looking calmly over her shoulder (Default)
The pauses between entries grow. I think, "maybe I'll write about this", then let the idea go. I think, "this feeling is one that matters", then turn my attention from it. I figure something out, and it ghosts back into uncertainty. 

I'm not sure what I'm doing here. Back in my heaviest days of LJing, I used to talk about "why I journal" every few months. The idea was often on my mind, more often than I discussed it, and I unfurled it when my idea of "journal" thinned too much to be useful. Now it's still on my mind, and maybe more important to me as I stretch between DW and LJ, but with my entries such rare beasts it'd make every entry an explanation. 

(There's a thing I see many of us do - writing an entry, explaining why we don't do a thing, talking ourselves into doing it. The inverse, too.) 

I started out journalling online because I wanted to make friends, and to make friends online you have to be visible in some way, and writing about my life seemed like the most appealing method of visibility. Besides, I wanted to be a writer, so I wrote. I figured out things about myself. I figured out that I was a fairly okay person, as people go, even if it's been years and I still wonder every day how to be a better person (better doing, better being) before it's too late. (I know from the diary that the only "too late" is "never".) 

I had friends. I've let my connections to a lot of them fade over the past year. I've been wrestling with thoughts about who I want to be and how to get there, and how to be okay with who I am without losing the drive to improve as a person in the world (I'm talking mentally, emotionally, and in terms of interpersonal and creative skills). I've abstracted myself into safety. I've thought harder than ever about friendships while increasingly distrusting the actual experience of friendship. 

Friendship. If there's one step forward I can make towards being able to trust in friendship, it's to feel less like I'm full of words and thoughts I need to express, such that the idea of someone leaning on me for emotional support springs my defences (you get no more of me, I need all of me!). Cause, see, I have this idea that I'm not to need while other people are needing. Some people deal with this by becoming eternal caretakers to the point of martyrdom. I deal with it by closing myself up so no one has claims on my energy. It works, to a point, but it's not right for me - yes, I'm scared of people and I'm scared of enraged by the chance of being absorbed by them or and afraid of submerging my feelings and experiences in service of someone else. 

If you can plot a coherent course through this entry, I hazard you're a better reader than I am. All my post are pretty real "I am working things out as I write" journal entries, this one as much as any. I started thinking "I need to figure out why I'm having so much trouble writing", floating ideas about the different cultures of my LJ friends page and DW read list (and yes, specifically mine: though I suppose you could say DW has something of a single culture so far, LJ certainly does not) (what friends post really makes a difference in terms of what I feel comfortable writing; the more variety people bring, the more I understand that what works for me works and is acceptable). 

I also, when starting, had the idea that I'd work through my isshoos and decide to update much more regularly. Uh, if that happens, it happens; I certainly haven't convinced myself. But before I tangented on the theme of friendship, I mentioned the built up words making me feel a little bit desperate, a little like I'd sink any new friend (loathsomely over-needy) and unable to melt to the friends of long standing. Obviously I need to start using the journal for that flood of words. Siphon some off, be less overwhelmed with the need to talk about ultimately trivial matters that are important to me right now and recently - things like the slow meander towards imagination, things like self-love and self-like and self-care. 

Also, self, needy isn't that bad a thing to be. Better to ask for water than dry up with thirst. 
phoenix: bill is watching you. *point*  (watching you)
There's a splendid writeup of the issues surrounding Google+ and its strict (though patchy) "real name" policy here: the Google+ Nymwars - Where Identity and Capitalism Collide.

Having read The Wise Man's Fear* while these issues were strong on Twitter and elsewhere, I have naming on my mind. "Naming", the magic of knowing true names of beings and elements, is a presence in the book. And in another way it's a presence in all of these pseudonymity/anonymity discussions: real names, meaningful names, personal secret names. Perhaps Google is trying to gather to itself what it believes are the true names of as many people as it can. But its understanding of the power of names is limited, mechanical, literally legalistic, and it cannot comprehend what it has and is losing.

* do not mention fairy faerie sex. I will cry at you. in lowercase.

Linkspam #1

Aug. 3rd, 2011 01:10 am
phoenix: (walking away)
I read a whole lot, I 'star' many articles in Google Reader, I intend to gather those articles and post about them. No time like the months-after-I-intended-to-start-doing-that, then!

why


This is Why You Share - appropriately, starting off with a fine infographic and study on the purpose of sharing information/links/media online.

design


Tattly - designy temporary tattoos. Design Sponge is normally about home design, but Grace Bonney has posted some unusual tattoo-related articles lately. I sincerely love these watercolour tattoos by Amanda Wachob.

Wonderful 1800s maps and visualisations. Click and be fascinated. butdoesitfloat is a very well-curated art blog.

Manjari Sharma's Darshan project is a grand work of... I think photographic religious iconography would be the word. "My project Darshan aims to photographically recreate 9 classical images of gods and goddesses pivotal to mythological stories in Hinduism."

internet social justice meta


At Tiger Beatdown, s.e. smith writes about the purpose of social justice discussions online, with some good questions to ask oneself. Actually, pretty good goals for any online endeavours, journalling included:

What are your goals, in engaging with online spaces, whether you consider yourself an activist or not? What are our goals, in creating these spaces, in engaging with them? What are we working towards? Do we have a rubric to use to assess whether we’re achieving those goals? How do we know when we’ve reached them?


Some thoughts on a similar note, regarding effectiveness of social justice discussions. This is an excerpt from a much larger discussion that has worthwhile counterpoints to the post I'm linking. Tumblr discussions can be amazing, yet are difficult to link and challenging to browse in a way that creates overall coherence. I do like that there's never one queen/king moderator in these discussions, like in blog comments - Tumblr's built to facilitate the LJ/DW swarm-style discussions that have evolved here but aren't directly supported by the software we're using.
phoenix: ink-and-watercolour drawing -- girl looking calmly over her shoulder (Default)
Oh, good, [personal profile] synecdochic's put up the first full part of her FFVII fic lullabye for the new world order. What little fan lives in me lives for Final Fantasies, mostly VII and VIII. I lived those games, and D's writing brings me into VII's Midgar until I can smell the mako and metal.

I've been feeling quiet, somewhere between silent and silenced. Work is going pretty well. Life is quiet, aside from the accidental monkey porn at GAZE film festival. (Can I say [personal profile] dar wanted to see it? That would be a lie, but I can say it anyway. Lies!)

I think you all need to see this. If you don't recognise the dancer, I believe I know several people who'd like to live under your Edenic rock.

oh god what

Let's finish instead with something better. I went on a spree watching Youtube videos of Marina and the Diamonds, a Welsh singer-songwriter whose songs are edged and vulnerable and aggressive and feel familiar and beautiful to me. I liked her cover of a Katy Perry song, Starstruck - I haven't heard the original, on account of trying my hardest to hear as little by Perry as is possible, but Marina's version reminds me of a story in My Mother She Killed Me, My Father He Ate Me, about the 'Fair Ladies' - a kind of supernatural seductress, but with a heart and an inability to last long in the modern environment that most desires them. A regretful seductress, maybe; unable to be other than what she is and pushing someone away who won't understand that. And Marina's breaky rough voice is it, is one of them. For me, anyway. I've linked this at a bunch of people and it hasn't resonated for any of them the way it does for me, but it's worth listening for the chance that it will have this effect on you.

phoenix: (flight)
At base I think the only way I can accept myself is as a point in a continuous wave of change: who I am now is fine as long as who I am next is better. It hasn't even occurred to me to question this or doubt that others feel the same. Not till now.
phoenix: ink-and-watercolour drawing -- girl looking calmly over her shoulder (Default)
And, by the way, I'm not a straight white man pretending to be a queer Irish woman. I'm a small froth of frogspawn that interacts in unusual ways with iDevices and will one day manifest on the moon. Trust me, I'm a blogger. 

In seriousness, the Amina (and Paula Brooks) fakery outings have caused me genuine rage and distress, and that's minute compared to that suffered by people connected to the fakers, or living lives the fakers misrepresented. I take honesty seriously, especially honesty online, and I hope any of you reading this will do your online friends the courtesy of presenting yourself truthfully. I am who I say I am, and there are at least twenty people on DW/LJ/Twitter who have met me in person and can verify my physical existence, including a whole lot of San Francisco people if you trust the word of such souls. 

I remember, though, when I was new to the internet and no one knew me. I hardly knew myself; I just wanted somewhere where I could start to speak and others would respect that - listen, join in, talk of their own lives unrelated to me. I needed to be part of that without another person as an entry visa because I knew no one; had no friends I could trust to show my net presence. Like many of my friends throughout the years, I showed my reality not through meeting other people (though that helped) but through striving for honesty, through acting in accordance with my own changing beliefs (mostly), through talking to people in casual and funny and serious ways - behaving as was natural for me. 

I will not ask anyone to verify themselves to me. It matters to me that people continue to be able to keep their online presence detached from their physical selves. (Or even from their other online selves: I've wanted to do this and occasionally done it, though never for long.) The anonymous blogger has a place, and there's no binary switch for trustworthy/untrustworthy, real/unreal. All I can say is: behave always with the knowledge that those you encounter are worthy of respect, and consider your words, actions and inactions accordingly. 
phoenix: rockstar on stage [bill kaulitz] (cheer)
I feel distinctly unhappy and unfulfilled because I'm not making anything, and I haven't for years. Not everyone has to make things, and I'm not inescapably destined to be creative- but I want to, dammit. It's a way to make meaning, making stories. Specifically I'd like to be creating novels, because novels are the art form I've lived in all my life - I should know where to go with a novel, I should know what's missing, what's me. 

I don't, though, not consciously. I think to myself, you ought to be sure of what you're doing because you're old (... in my head I am, yes), because you've read so many thousands of books and millions of words. And I think to myself, you ought to be sure because you have to be sure, to get anywhere or do anything. If you don't settle on anything, false-heart, then you won't commit wrongly, you won't waste your time to the wrong purpose (you'll just waste it without any purpose at all). 

Laying the puzzle pieces down on the table, it looks like I've been trying to make an entire picture out of a small closed loop of pieces. I'm not sure they even belong in this puzzle at all. I've been very definite about needing to be definite, and I've been very firm about being right. But I'm getting the hazy, unconvinced idea that I don't need to be sure to make a start, or make ten starts, ten steps into unpredictable spaces. The feeling I get when I wake from a dream and want to continue reading it, I want to summon that into waking life; I want a world in my head, a world that is my own and of my rules. I love reading other people's worlds, but I think I also rely on them because I get antsy when my mind's left to roam its own forests. And I know more readers are needed than writers (not that there's a strict divide between the two, but it's easier to be a reader), but I feel like a parasite. I suck in words, I consume experiences, I eat worlds. I beg myself to exhale. 

On twitter just now, I said "my main creative block is being too concerned about being wrong to have any ideas, much less pursue them". How do I make myself be wrong more? Around the right friends, I can relax and spill forth ideas, into ears and the air, but around myself, I get rigid, I refuse to put pen to paper or fingers to keyboard. I lie down, I alt-tab. Resist, resist. Judge myself. I keep saying to myself and sometimes to friends: I'm going to get play dough and make my ideas concrete, set in malleable clay, so I can manipulate them some way that doesn't require precision of words.  I still haven't /got/ the clay, I keep putting it off in case the plasticine I get smells bad. Sometimes plasticine does smell bad! ... you're a grown woman, buy more. 

(I used to create stories with plasticine all the time as a girl, running over years and taking up metres of space. Horses and riders as the protagonists (mostly horses). I read a lot of pony books. My sister hated that my strict characterisation of the horses ("real horses don't /do/ that, you can't make her do that!"). I didn't let her play freely and I didn't allow her to use the best plasticine. Bossy child I was.) 

Plasticine's one avenue of getting the ideas out. I used also tell stories with stones, just moving them around made it easier to tell myself the stories. The main thing is doing something physical, an active spell to summon my ideas and give them life. Okay, journal, I'm going to stop making excuses and try this. The Queen's visit is filling up town at the moment so I might not be able to get in tomorrow, but by Saturday evening I'll have my plasticine and I'll have it out of its pack too. I will report back. 

(These entries where I'm writing down my leaps of thought as they come clear may make for odd reading. I just looked over this entry, and the beginning, especially, is a layer of frost on a whalean iceberg.)
phoenix: ink-and-watercolour drawing -- girl looking calmly over her shoulder (Default)
It's far past my bedtime, but I'm glad I'm still up. I had a discussion/bonding session with friends that made me more sure of myself, more confident in my internal compass's directions on what's right. We reaffirmed each other's humanity.

Somewhat related: I don't care much about being a good person, because I'm generally sure I am. I could offer proof to the contrary, but it's not something I worry about. I do worry about properly expressing myself so that I give a fair showing, and I worry about acting in "correct" ways and about doing things right. I feel that more comfortable raucous conversations like tonight are weights that tilt my mental balance towards relying on that internal compass over propriety.
phoenix: Oruha from Clover (laaaa)
It's the end of [community profile] three_weeks_for_dw, aww. As you can tell, I didn't write much for it this year. I didn't have the motivation to follow through on the meme after starting it, and my last couple of posts were personal enough that I wanted to crosspost them in a normal manner. I'm thinking I want to shake things up for myself and have my own personal journal challenge - more frequent posting, more personal posting. Something of that sort. I think I'd like to post daily between now and the start of Unravelling, May 30th. That's two weeks - perfect.

I'm not sure where this week went. I've been WoWing a bit, sleeping a lot, generally tired and not being powered up by any part of my life. Ah, but then there was Eurovisioning! I missed the first semi-final through sleeping, but watched the Thursday semi - Jedward got through, the terrific 'I Love Belarus' did not. I spammed Twitter and ignored the begrudgers who can't handle a night or two of Twitter being about things they dislike. A break on Friday, then more Eurovision on Saturday - and the annual IRC party! That's one of the best parts. I'd never watch Eurovision alone in my room with no one to talk to and squeal at. I'm physically alone when there's an IRC party, but not mentally/emotionally. Squee, sarcasm, innuendo, new injokes.

(I've mentioned before that sound of mental reading and sound of thinking in words use the same parts of my head as listening with my ears. I had to go back later and relisten to some songs because I'd been so busy talking/listening in type that I didn't take in some of the songs.)

The voting is usually the best part, but I was primed for a rather different result! I was sure it'd be between Moldova and Ireland. I couldn't believe it when BLUE initially did so well - was satisfied that they finally settled into 11th place, beyond my poor twins.

The best songs of this year's Eurovision )
phoenix: ink-and-watercolour drawing -- girl looking calmly over her shoulder (Default)
I’ve been finding it hard to write because I’m typically convinced that my journal entries just aren’t interesting. And interesting is one of those things I think I’ve a duty to be, even if it’s often more an aim than something I accomplish. So, I thought, why don’t I read back through my journal?

I had a lot of objections! I’m always scared to read my own writing. It’s reasonable and intelligent and true at the very moments when I’m putting it down, but get a few moments beyond that and it’s become some representation of Why Me Doing Things Is Bad and I can’t look, I just have to get it out there because once I write an entry, I want to post it and get confirmation of my existence. Comments? Woot, I exist! Interesting comments? Woot, my friends exist!

But it’s not exactly reasonable to avoid reading your own writing if you want to be a writer. And I do, even though all I’ve written in years is these small entries, little notes to people travelling in my part of the online world. But that, no matter how much I try to diminish it, is something. I’ve been writing a journal online for nine years now, and that is an accomplishment if I allow it to be, if I accept that it’s made me more and become a somewhat interesting artifact in and of itself.

There’s another thing. I want my journal to help me to become more of a person. More interesting - more everything. If I don’t go back in time, if I don’t reflect on my reflections, I won’t know where I’ve been, I’ll only know where I vaguely remember myself as having been, and that’s missing out on an important gift a journal gives: a way to dispel the fog memory gains and reremembering creates.

It’s only as effective as the initial writing is honest, though. Or, maybe more importantly, as complete as the initial writing is. I’ve written fewer than 40 entries this year. It’s the 128th day of 2011 now. I’m missing a whole lot of records of living and thinking and experiencing that I could have made in those times when I wasn’t actively living or thinking or experiencing, but pressing refresh repeatedly on two or three different websites. (If I knew exactly how much time I spent refreshing read pages and friends pages and other pages that haven’t been updated I’d feel very foolish when I whimper on a Sunday night about how fast the weeks and weekends go.)

So, forty entries. That’s nothing to read through, I told myself. I started with a post apologising for ending 2010 with a streak of not posting and continued on reading. I experienced none of the horrible shocks of disgust at myself for writing badly that I’d expected. I didn’t manage to reread a certain speech, but I did read the comments to it, and instead of saying “oh, could have been worse” like I’d imagined they did, they were quietly enthusiastic. I smiled and kept reading. I found entries that were painful to read, that I thought at the time communicated little of how I felt, and felt tender toward myself, understanding the pain she was experiencing and feeling compassion. I read on, saw how after January’s self-doubt my mood arced upwards steadily, as I got out and about and did exciting things and even briefly dated someone. That had interspersed the excitement and then sadness of the unsuccessful trip abroad - we *will* make it, Dar. Then came a dip in mood that I set myself to this task in part with hope that I could break through and out from it.

After reading, I felt happy. You know, a lot of the time I have a taskmaster in my mind, chastising me for not doing anything with my life, for resting, for lazing - often it’s justified chastisement, but it’s never truly helpful. It quieted down when it saw all my entries piled up, secure in their own existence and securing mine. I tagged entries as I went, too, and tended my journal, telling it it’s worthwhile, giving it a bit of care I can’t give it if it’s just that thing I waste time on.

Before I read back, I’d decided I’d like to be more thorough about reading back in time. Reread entries from a year previously (two, three, five) each month. Read back over the month when a month ends. I want to start living a little more consciously and I have the tools for that, I’ve been making them for years on end. It’s not enough for me to cower from my past successes and mistakes or treat me-yesterday as a disclaimed stranger. I’ve proven again that I can get strength from looking back at myself and my life. Now to continue to believe this and to live this. I want to have follow-through. I want to treat who I am as worthy. Not who I potentially am, but me, as I am.

Unravelling

May. 7th, 2011 03:51 pm
phoenix: ink-and-watercolour drawing -- girl looking calmly over her shoulder (Default)
I'd like to take Susannah Conway's Unravelling course this time round. I'm hmming and hawing, just like the last two times it came up - mostly wondering, will I fit in? And will I do the assignments?

Registration begins in 15 minutes and will go on until there are at least 100 signups, iirc. Susannah has run the courses for several years, so it's not a case of "miss it, miss out forever" but every time it comes up I /want/ to take it, and summer when I've had a break from college for months sounds like the best time for it.

Why do I want to take it? Maybe less for the self-analysis (I am good at that, almost growing past it these days) than for the sense of community it promises. Dozens of others attending to who they are, what they desire, where they're going, and sharing how they're finding the journey, and in a time-compressed situation which intensifies connection. I have this idea that I'd finish the course with a couple of new friends who'd eagerly and thoughtfully encourage me to run out and photograph or write, and vice-versa: supporting each other's creative and emotional lives.

(Also wondering about the 'for women only' bit. I do wonder how she'd respond to transgender people participating. If it was a case of "yeah, you have to be born with specific parts" - while it wouldn't affect my eligibility, it'd mean I didn't want to join. I don't like clubs that reject my friends. See edit! It's weird going from my very LGBT and identity-considering corner of the journalling world (DW/LJ, my parts of Tumblr, certain blogs) to this... undefinably different blogging country. Not exactly mainstream, but with firmer gender roles than I expect.)

Edit: YAY. Emailed Susannah and women-only is inclusive of trans women. Now I feel entirely comfortable taking the course, and I've signed up. :) Susannah posted her reply to me in comments here.
phoenix: (lights)
It was so hot today that I could smell the insides of cars driving past. Most windows were down and the musty, overheated interiors smelt stronger than fuming petrol. Less pleasant. They smelt the way car sickness feels, muggy headache and rising bile. 
phoenix: ink-and-watercolour drawing -- girl looking calmly over her shoulder (Default)
I spend a lot of time on my ipad, and I use Twitter and Google Reader (through Reeder) very heavily. Tumblr and Wordpress blogs make up a major proportion of my feeds, though I'm only a lurker on either platform. On the PC, I might be playing World of Warcraft or browsing blogs and IRCing. I've also got a concerning addiction to a clicky game called Unicreatures. And of course there's still LJ. Few enough posts on my friends page that I don't spend as much time as I did once upon a time, but it still matters to me.

***

I'm enjoying the fruits of the [community profile] fonsfaq project! Frequently (Or Not So Frequently) Asked Questions answered. If you haven't yet heard about it:

FONSFAQ stands for "Frequently (Or Not So Frequently) Asked Questions" (about a particular topic). Someone hosts a topic, preferably one per entry, and then in comments people can ask - i.e. leave prompts - or claim some issue relating to the topic that they have always wanted to explain/write about. The host then collects the links to all essays that people have written in reply to the prompts and everybody has a lot to read and learn! [personal profile] dingsi maintains the master list of FONSFAQs to date.


I'd rather like to participate and host my own FONSFAQ, but I can't think of any subject I know enough about. I could do Ireland - but I only live here, I don't know anything about it! If any of you have questions that I could help answer, I'd be happy to host one. Just, uh, not terribly wise or even slightly authoritative. I'm a citizen of books and the internet, not Ireland and the EU.
phoenix: ink-and-watercolour drawing -- girl looking calmly over her shoulder (Default)

Why did you choose your journal name?


I've used the name 'phoenix' on IRC for years, a short form of my unwieldy LJ name 'phoenixdreaming'. It's a vibrant fierce little name, one I have affection for, but it doesn't say much about me and it's not distinctive. Names are hard. Someone's discussion of journal names the other day had me intrigued and surprised by the amount of symbolism and importance some give to journal names, and I'm sorry that I don't put as much effort into naming. 

I'm very conservative about names because they're such a permanent label and I resist permanent mistakes. They say too much; they provide great opportunities to misstep. If I have to explain a name I'd rather not use it and instead have one meaningless, pleasant and safe. I may be reconsidering this. I'm also intimidated by the upheaval I perceive in changing a name - loss of reputation (good and bad), new image, new associations.

Put like that, I'd rather like to change my name :)

Do you crosspost? Why or why not?



I do! While my activity on LJ has dwindled and my friends page grown quiet, I still have important ties with people there. There have been times when I've considered turning off comments there, just to have them all together, but I prefer my friends to have the option of where to talk if they're honouring me with responses. Besides, my habit of locking entries in the past year has made it too inconvenient to insist comments go on just one site. 

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